[SP EXCLUSIVE]

Our new Hectic Poetic column isn't just about reading poetry; it's about actually trying poetry on for size. So let's put on our thinking caps! (If you actually own one of these mythical hats, that is. If you do, please send me a photo. I'd love to know what one looks like.)
Today, we're taking our popular haiku challenges a step further. Yes, there are are a few "next logical steps" possible, with the most obvious being the renga and the haibun, or forefather and spawn of the haiku. First, a word about the one we won’t be tackling just now—the haibun. Simply put, haibun is roughly a paragraph of poetic prose preceding a haiku. The economical, often playful, language used in a haiku is used in the prose, which leads up to or elaborates upon the moment sketched in the haiku. These haibuns were pioneered by Japanese master Basho in his travel journals, which I lovelovelove. (He’s such a dreamy ancient man, if ever there was one.)
Now, on to our current task—the renga! Renga, a traditional form of linked poetry, is responsible for the appearance of what we now know as haiku. Typically written by two participants, the first writer composes a haiku (three lines with a 5-7-5 syllabic structure), the second adds two 7-syllable lines, and the renga is constructed by alternating verses in that pattern.